![]() ![]() ![]() Of course, anyone concerned with the production of quality audio recordings knows this, but unfortunately, only a very small percentage of us ever learn it from first-hand experience – even though we’d all like to.Īssuming then you don’t have a dedicated control room, a large crane, several hundred thousand dollars (give or take half a mil’) and your own service department, with which to invest in an old (or new) SSL console – or alternatively, a hefty recording budget to hire a studio that does – you might be considering (along with the rest of the plug-in fraternity) some of the new-generation ‘SSL channels’ hitting the market. SSLs are generally fantastic to work on, have functionality up the wazoo and are undeniably one of the kings of the analogue domain. And while they may not offer every sonic flavour known to man (and what board in history ever has?), the ‘sound’ of a large-format SSL console is unmistakeable, and ubiquitous. Come to think of it, SSLs have never been short of anything much. ![]() One thing SSL consoles have never been short of over the years is comprehensive individual channel EQ and dynamics. The ground swell of interest in SSL plug-in emulations is growing fast, and the 4000 Collection is proving to be one of the biggest waves in the set. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
December 2022
Categories |